Talking to a Portrait: Tales of an Art Curator
“Mounting an art exhibition is like putting on a play. Both have a director, producer, script, major actors and bit players. Gather six curators around a table with the bare outline of a theme, let everyone throw around ideas fantastical and practical, then write down the names of specific artists (specific paintings, even better), and the race is on. Add three to four years of searching out exhibits, requesting, loans, redefining themes, editing out works, making last-minute additions, preparing a 400-page catalogue and planning the installation, and the stage is set for opening night. Raise the curtain!” Talking to a Portrait: Tales of an Art Curator by Rosalind M. Pepall is a fascinating look behind the scenes at the Montreal Museum of Fine Arts . I’ve never really understood what a curator does when they organize an exhibit. I’ve assumed it was primarily online research and logistics, but it is so much more than that. Pepall spends years tracing down artworks and diligently rese